Leaking, Pouring Down the Whole – Poetry

I have become the drip drip of ink

Grim, shiny

Pleasing only to things grasping in the noir rub rub smear

Becoming a former model of itself

To encounter the deep devoid of any wish or desire

Just a new hastening to mere darkness

And if this snake was a ring it only naws at it’s own tail and ass

Going about it’s daily and eternal task

These original poem (poetry) are written and copyrighted by Juana M. Gumbs. All rights are reserved by her in May 2021 (C)

Red Eyes, Dim Thoughts – Poetry

The bawling never subsides

The claim

Then the realization that absolutely nothing can be done

It

Lingers like the aroma of dead flowers scattered under a Magnolia tree

The essence of what was

Is distant

And I squint my eyes exceptionally hard to see the horizon beyond a hazy oasis

My mouth so arid

It is as though I draw breath through the sand in an emense heat

Choking, sobbing in my hands

While I gag

These original poem (poetry) are written and copyrighted by Juana M. Gumbs. All rights are reserved by her in May 2021 (C)

False Memory Is Everything – Poetry

Thought a man

That one day he would thrive

Formulate and populate

Then expand

Imagine it thoroughly

To the extent

That he will fly upon it

Caress notions with textures from it

Unlike any he has ever touched

Still

Unable to pick it like fruit from his whitered psyche to supply those deemed worthy

But by then

Life took its final stand

And he lost time and forgot he put it all away

Now the world will never catch a glimpse of it

Or have felt

Or have known of its existence

Or even inclined to provide it vigor

At this point.

This original poem (poetry) is written and copyrighted by Juana M. Gumbs. All rights are reserved by her in May 2021 (C)

Agony, My Friend In The Dark – A Collection of Haiku Poems

Warning: if misery is a current mood, do not read any further.

1. Agony, my friend

In the dark corner, surmise

My impending doom

2. Misfortune mature

In an Amalgamation

Evoking anguish

3. Great cloud of twilight

Which creeps in subtle states from

Dawn to dusk, untouched

4. Bloodline curse bestowed

Upon the fated bastard

Begat of brute loins

5. Deep the jaws of grief

That devours contentment,

To shit out despair

6. Divine fortune ebbed

As chance flees this dastardly

Game of existence

7. Vast tree, forsaken

The branch siphoned of majic

‘Til none prevail

8. Life manufactures

Anguish with every angle

No matter the trend

9. Nightmares manifests

From much dismay and peril

Dwindling all our hope

10. Suckle my pain out

From this broken place, derived

From all this sadness

These original poems are written and copyrighted by Juana M. Gumbs. All rights are reserved by her in March 2021 (C)

Sunsets Left As A Reminder – A Collection of Haiku Poems

1. Sunset on the rim

Of a horizon sit still

Wavering above

2. Sun that sits abides

Sphere eternal in essence

vitality lodge

3. Amber Jewel glow

Provides warm delicate touch

Bronzing everything

4. Illuminate being

Beams glimmer through trees despite

Diminishing glow

5. Copper source divine

Burnt orange embers sublime

Receding timeline

6. Majestic crown glow

Third eye projecting passions

The universe bless

7. Burning arrow rays

Depicts immortality

Reigning nirvana

8. Drift celestial

As we Gravitate towards

The guiding sunbeats

These original poems are written and copyrighted by Juana M. Gumbs. All rights are reserved by her in February 2021 (C)

Muse of Mine —A Villanelle (Poem)

I now know the singular purpose of his lips
As his whispers form and conjure spells
In response, my chalice overflows, he is thirsty and sips

A Drinking in bits of me and sweet lusting, touching my hips Sultry brown eyes engaged for the longing mood compels
I now know the singular purpose of his lips

Kisses so rare, so sublime creating heart skips My marvel monarch invoking while incites In response, my chalice overflows, he is thirsty and sips

A His Charm speak more powerful than the sunlight His presence on par with those celestial beings I now know the singular purpose of his lips

Intentions bold, sets me on fire, as this muse fits
He is skillfully undoing inhibitions parting thighs In response, my chalice overflows, he is thirsty and sips

Touch, the love language he speaks, alluring me
The moon comes closer to glimpse, listens and tells
I now know the singular purpose of his lips
In response, my chalice overflows, he is thirsty and sips

This original blog post was written and copyrighted by Juana M. Gumbs. All rights are reserved by her in February 2021 (C)

Nightcap Vision: Short, Short Story

Her hair is fluttering in the air, dark burgundy, long and natural coils. This woman’s laughter refreshing the aura around them. The longing to catch up and grasp hold of her grows more intense.

But she is running. She is running away from him in this dream. Giggling playfully, but running in slow motion.

He realizes, while his vision adjusted to a panoramic view, that she ran naked on a clay path in a pecan orchard. Now, why would she do that? He is a homebody and open spaces he loves, but not the heat. Never the heat from the sun.

Then, he begins to run after this dark wine-colored hair beauty though he has yet to see her face. In all this, he has not set eyes on her chin, cheeks, eyes, or even connect to her soul.

This is dedicated to my special someone.

This original blog post was written and copyrighted by Juana M. Gumbs. All rights are reserved by her in January 2021 (C)

Death Stills: A Short Story Part One

The blue flashing lights of four black police sedans are silent in front of the two-story house. Everything seems perfect on the outside, embellished in blue siding with a charcoal colored roof and chimney. Yet, from the open front door, you can see dirt and blood commingled into the rug. Upon entering the foyer, there is a putrid blend of rotting flesh, urine and excrement. There is also bare footprints, of various sizes, going in and out of the house with the trail halting at the door’s entrance. The 35mm camera clicks go off throughout the house, capturing every moment of the past few hours.

The forensic photographer, Billie Adelson, does not blink an eye when he captures the first body on the living room floor. At the foot of the fireplace, the body of a middle-aged and overly tanned man lay face down, except–the neck and head are at an abnormal angle. The blue sweater and khaki pants he wore have no bloodstains, gashes or so much as a wrinkle. The man is wearing dress shoes which color closely resembles his khakis. Billie captures photos of the blood-mud fusion foot impressions smeared in a semi-circle around the deceased. There are no discernible signs of a struggle and a weapon to determine the cause of death. The dead man’s last cloudy gaze fixed directly into the entrance of the dining room and kitchen.

A detective wearing coverings over his shoes, stops to speak to Billie before he enters the dining room area. He motions to the top of the entrance, where the words are written by fingers in ash, “We EAT here?” Billie snaps some shots of the words written grotesquely on the wall and zooms in on the messy script. The detective moves past Billie and walk into the dining room.

The atmosphere is heavy with the blend of stagnant blood, decomposition of meat, and food left out on the table. Surrounding the elaborate dining room table, sat two more corpses. All are motionless and perched in their seats. A blonde woman in her thirties or early forties sat at the head of the table, farthest from the entrance. Her glassy eyes were so wide it seems as though it bulge from her head. Billie gulps loudly and the detective looks at him with concern but said nothing. He nods and Billie continues his tour of photos. The blonde had a black scarf with white and red roses which was made into a bow and wrapped tightly around her throat. Upon closer examination, Billie notices traces of blue-black bruises near her jawline. He also notices her posture seems posed, like a mannequin. As he examines her visually and notices that her hands lay on both sides of the salad bowl on the placemat in front of her. Her palms of her hands face up. On the right side of the blonde is a pallid brunette teen, judging from her development she was probably between the ages of thirteen to sixteen. Taking the time to close in with the focus on his camera, Billie captures the neck trauma and multiple puncture wounds. Her eyes, now glassy and almost colorless, stare downward but her chair was positioned towards the blonde rather than under the table. Her hands were also set with the palms up on the table as the blonde woman. Behind the teen is a large portion of blood that is still pooled on the tiled floor and gathers near the rear corner of the room.

Two detectives, a male, and a female are comparing notes. The female said, “I believe there was post-mortem manipulation of both bodies. I have a hypothesis that perhaps they were killed in or around the room and then were posed at the table for some significance which I am bewildered, but…another instance shows that there may be multiple murderers.” The male detective nods in agreement and moves to examine the slashes in the girl’s neck.

The female detective notifies Billie that there was a final body upstairs, in the bedroom adjacent to the staircase. Before taking the first step to climb the stairs, he sighs. He has been in the business of forensic photography for 12 years now, he is still fairly young in the business. The odors, blood and corpses do not unsettle or irritate him. But today, in particular, it is taking a toll. Just two weeks ago he buried his mother. A week before that he found her alone and dead in her apartment. After all these years seeing strangers dead, seeing a loved one dead that he has emotions and memories attached, gives him a different perspective on the business now. Everyone is someone, to someone else.

Once he arrives at the top of the stairs and looks straight into the room, where the final display must be recorded–the moment, the essence of departure, and what remains. The male investigator was working on lifting fingerprints on a mahogany desk near the window, which was open. The bed is directly in front of the door and a deceased young woman lay face-up across it. In bloodsoaked yellow sheets and comforter, her pearly arms and legs sprawled out to where they resemble a starfish on a beach. As though she prepared to sleep, she wore a nightgown, which was lavender in contrast to her pale white skin. The nightie is long and covers most of her limbs except for her head, thighs, and arms. She had a collection of blood on her dress where her heart rests silently in her chest. Then the camera flash goes off again, documenting the stills of her soft shoulders to her delicate but bloody fingers and feet. Billie shakes his head and then continues to take snapshots of her bloodstained feet. He focus on the possibility that the smeared footprints from the living room and foyer, some may belong to her. But hers are just some of the many barefoot impressions captured on his camera. Numerous footprints are bigger than his and he wears size twelve in men’s shoes.

He looks at the investigator and inquires, “who is she?”

TO BE CONTINUED…

This original blog post was written and copyrighted by Juana M. Gumbs. All rights are reserved by her in January 2021 (C)

Journal: Am I a Narcissist?

How would you feel if someone constantly tells you that you are a narcissist? Do you believe it, research it to see if this describes you? Do you go to a therapist for a mental evaluation to see if you are one? I’m at a loss as to what I should do. Can someone tell me where to start or what I can do to get help?

Destination Allure — An Erotica (Short Story)

At this height, the balcony is slightly concealed from the public gaze. I purposely asked for the top floor, to look over the city and beyond. And also, to become a witness to this Cuban pink-orange sunset. The atmosphere was a little humid during the summer months, so I removed my clothing, took a cool shower. Then, I threw on an emerald green satin robe while my dark copper tone figure was still damp and dewy. My dark brown hair was dripping wet, with kinky, coil ringlets going down my neck, back, and breasts.

At first, The soothing West Indian breeze made me close my eyes as I stood up against the balcony. I inhaled the air and I was filled with the awakening of all my senses. The smell of Latin foods and spices, the light chatter from passerby’s below me, and the touch of the stacked stones that made up the balcony conjured something seductive about this scenery. At the moment, I was at a loss of words as to what it was that was guiding me–but it made my hands move sensually. They made a trail starting from my face, down to my neck, and cupping my buxom bosoms before I softly pressed my nipples with my fingers. They became erect and it made my honey pot throb. I found the chair closest to the glass sliding doors of the balcony and sat. With my mouth slightly agape, I took in an intense breath. I dared to touch my central part, under my robe, and between my lean and curvy thighs. My right hand and fingers found their way to that incited area and my eyes slid half-mast, as I am aroused.

A gust of wind caressed my robe and nudges my breasts delicately. The robe’s fibers grazing the nipple, as my right breast became exposed to the elements. I whined, at first and tried to cover my curvaceous bust, but an assertive force revealed my physique undoing the thin sash of my wrap. At this point, I should be alarmed but I was so impassioned that I pressed my fingers against my bud and massaged it even further. Elevating my breathing, in swells and falls as I came close to climax. This made me thrust my hips up, my buttocks tightened and raised from the seat, as I fervently peaked in satiated ecstasy.

This original blog post was written and copyrighted by Juana M. Gumbs. All rights are reserved by her in January 2021 (C)